Artist Statement
I write towards a phenomenology of collapse, drawing on my training in conservation, my identity as a survivor of the opioid epidemic, and my inherent complicity as a citizen of the United States within armed conflicts around the world. I don’t view these subjects as disparate. Market forces govern the construction of the housing development in what used to be a meadow across from my apartment just as they govern, say, the price per gram of fentanyl or the percentage of my income tax that goes to the military, but their linkages are vast and subtle. I seek, through soft collage, found language, and hybrid forms, to hew narratives from the blasted landscapes of end-stage capitalism.
Black and white photograph with text
