Artist Statement
My work interlaces the forms, principles, and methods of folk and classical Korean dance and interdisciplinary performance practices. I rearrange, reinterpret, and transmute codified dance movements—their stylized forms, gestural essences, and somatic principles—to invite spontaneous grooves of the contemporary body. Chance procedure, Hangul (Korean alphabets), numeric patterns, irregular folk rhythms, and minimalist composition methods are my inspirations for algorithmic sequences which take shape on graph paper, Excel sheets, and floor grids for solo or ensemble. In my work, Pansori (Korean folk opera) vocals, Janggu (hourglass-shaped drum) rhythms, electronic beats, and groovy sound patterns are layered with the dancing body(ies) under the rigorous and playful rules in self-constructed systems. Where the past and present, self and other, system and play, and rigor and spontaneity coexist, the female Asian body, rooted in a non-western dance practice, claims singular authorship in contemporary choreography.
DaEun Jung Jakdu (in progress, dance, solo) Headlands Artist Residency (2025) Photo by Arthur Alvarez
