Leslie McCleave

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Still from the feature documentary 'How Sweet the Sound – The Blind Boys of Alabama (2015)

Leslie McCleave produced and directed the feature documentary, How Sweet the Sound – The Blind Boys of Alabama, the first film about this legendary gospel group. How Sweet the Sound premiered at the Nashville Film Festival and has screened across the U.S. including stops at the Margaret Mead Film Festival and as the closing night film at the ReelAbilities NY Disabilities Film Festival. Other work includes the supernatural, environmental-awareness fiction feature ROAD, (Outstanding Performance Award at the Los Angeles Film Festival) and acquired by Showtime, iTunes and Snag Films. Her narrative shorts have won top awards at Sundance, SXSW, Locarno, and San Francisco International Film Festivals. She created the documentary/experimental hybrid sound and video installation, cedarliberty (with Elena del Rivero) which addressed personal and public remediation work at the World Trade Center site and was presented at the International Center of Photography and the New York State Museum. Leslie is an alumnus of the NYU Graduate Film Program, the Sundance Institute Writers and Directors Labs and has received support from the Creative Capital Foundation, National Endowment for the Arts, New York Foundation for the Arts, New York State Arts Council, IFP Radziwill Documentary Fund and the Irish Film Board.

Jeremy Xido

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Originally from Detroit, Jeremy graduated cum laude in Painting and Comparative Literature from Columbia University, NY and trained at the Actor's Studio. A Fulbright and Guggenheim recipient, he’s artistic co-director of performance/film company CABULA6, voted “company of the year 2009” by Ballettanz, and awarded “Outstanding Artist of the Year 2010” by the Austrian Ministry of the Arts. Jeremy's film directing credits include award winning feature documentary “Death Metal Angola”, six part “Crime Europe” series, and the short documentary “Macondo” in addition to several short fiction films. He’s known in Europe as a performance artist with a unique artistic voice and approach to stage and film, blending emotionally gripping personal stories with the larger social contexts within which they emerge - including the trilogy “The Angola Project” (premiere: Impulstanz, Vienna and PS122, NYC). Working as a dancer, actor and filmmaker, he has performed and presented work around the world on stage, TV and in Cinema. In addition to his work on SONS OF DETROIT, he is currently in development on a limited documentary series called THE BONES about the international dinosaur bone trade and is writing a feature film script set in Detroit amid the housing crisis of 2010.

www.xido.org