Jody Wood

In the Black Box (Looking Out) is a 2-channel video juxtaposing theater with social work to explore secondary trauma caused from inhabiting another person's experience.

In the Black Box (Looking Out) is a 2-channel video juxtaposing theater with social work to explore secondary trauma caused from inhabiting another person's experience.

Jody Wood works primarily in time-based media and social practice. Her studio practice includes mediums of video art, photography, and performance art. Her social practice intervenes in social service agencies, aiming to sculpt power dynamics, relationship networks, and resist stigmas surrounding poverty and homelessness. Her work has been supported by prestigious institutions including ArtPlace America, A Blade of Grass, Esopus Foundation, Rema Hort Mann Foundation, and through residencies with McColl Center for Art + Innovation, Bemis Center for Contemporary Art, and Skowhegan School for Painting and Sculpture. Her work has been featured in publications such as The Atlantic, MSNBC, and The Huffington Post and is included in permanent collections at the Brooklyn Museum Libraries and Archives Collection and Yale University Robert B. Haas Family Arts Library.

www.jodywoodart.com  



Katie Workum

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Workum began making dances in 1999. Since 2013, she’s been researching improvisational performance and practice as an alternate, feminist model of working and presenting work. Currently she’s an AIR at CPR and Marble House Project for the development of her new piece Anna, Darrin, David, Eleanor, Jess, Katie, Leslie & Weena. Most recently her work was presented by The Wassaic Project Summer Festival curated by Charmaine Warren, and she mounted a 40-person improvisational dance within Nick Cave’s The Let Go at The Park Avenue Armory. The Airy Road of the Meteor at Movement Research/Judson Church, was an experiment in community co-creation, featuring 30 audience members and one company member. Additionally she’s been presented by Gibney Dance, MASS MoCA with Jacob’s Pillow Dance, Danspace Project, Mount Tremper Arts, The Chocolate Factory, PS122’s Catch/Coil, Gibney In the Works/American Realness, BKSD, Dance Theater Workshop, Philadelphia Fringe Festival, The Kitchen, Dance New Amsterdam, 92nd St Y, Symphony Space and others. She has been an Artist in Residence at CPR (2018), MASS MoCA (2015), Chez Bushwick (2014), Dance New Amsterdam (2008, 2009), Mount Tremper Arts (2010, 2014), Tribeca Performing Arts Center (2006), and The Kitchen (2005). She’s received funding from the Foundation for Contemporary Art Emergency Grant (2015) and NYSCA through DNA (2010). Workum holds a Master’s in Dance Education at New York University. Workum teaches improvisation and Authentic Movement at BKSD and has taught at Gibney Dance, School for Contemporary Dance and Thought, Barnard College, NYU Experimental Theater Wing, and Lehman College

www.katieworkum.org

Jeremy Xido

Jeremy Xido_Death Metal Angola_Film_2013_Premiered at Rotterdam International Film Festiva

Jeremy Xido_Death Metal Angola_Film_2013_Premiered at Rotterdam International Film Festiva

Originally from Detroit, Jeremy graduated cum laude in Painting and Comparative Literature from Columbia University, NY and trained at the Actor's Studio. A Fulbright and Guggenheim recipient, he’s artistic co-director of performance/film company CABULA6, voted “company of the year 2009” by Ballettanz, and awarded “Outstanding Artist of the Year 2010” by the Austrian Ministry of the Arts. Jeremy's film directing credits include award winning feature documentary “Death Metal Angola”, six part “Crime Europe” series, and the short documentary “Macondo” in addition to several short fiction films. He’s known in Europe as a performance artist with a unique artistic voice and approach to stage and film, blending emotionally gripping personal stories with the larger social contexts within which they emerge - including the trilogy “The Angola Project” (premiere: Impulstanz, Vienna and PS122, NYC). Working as a dancer, actor and filmmaker, he has performed and presented work around the world on stage, TV and in Cinema. In addition to his work on SONS OF DETROIT, he is currently in development on a limited documentary series called THE BONES about the international dinosaur bone trade and is writing a feature film script set in Detroit amid the housing crisis of 2010.

www.xido.org