Liliana Farber

Artist Statement

Through research-based processes and using digital strategies, I create still and moving images, installations, and web-based works. These investigate notions of land imaginaries, unmappable spaces, utopias, and techno-colonialism. I use timestamps, geolocation points, satellite imagery, antique maps, and literature as raw materials for minimal pieces that reflect on the human experience of living within global scale infrastructures and colossal amounts of data. As a third-generation holocaust survivor, my intergenerational trauma inspires my practice. There is a sense of incompleteness and illegibility in my work. It contrasts the sense of being lost or disconnected in a hyper mapped and connected world.

Blue Reflections, 2023, single channel video, steel plate, lava stones, sound, variable dimensions Digital oceans, captured in Google Earth, are intertwined as glass pieces inside a kaleidoscope.

Bio

Liliana Farber is an Uruguayan-born, New York-based, visual artist. Through research-based processes and using digital strategies, Farber investigates notions of land imaginaries, unmappable spaces, utopias, and techno-colonialism. Her work was exhibited at The National Museum of Contemporary Art, Lisbon; The Center for Books Art, New York; Ars Electronica Festival, Linz, Arebyte Gallery, London; Panke Gallery, Berlin; and The National Museum of Visual Arts, Montevideo, Uruguay, among others. Farber is a recipient of the Lumen Prize, Artis grant, and Asylum Arts grant. She was an artist-in-residence at Wassaic Projects, NY, Nars Foundation, NYC, Arebyte Gallery (online), and Off Site Projects (online). Her work is part of the Victoria and Albert Museum collection in London and numerous private collections worldwide. She has been featured in On Curating, Switzerland; MIT’s Leonardo Journal, USA; and Haaretz, Israel. Farber received her MFA from Parsons School of Design, New York, and her BA from ORT University, Uruguay.


https://www.lilianafarber.com/