Sebald’s written works are “notable for their curious and wide-ranging mixture of fact (or apparent fact), recollection and fiction, often punctuated by indistinct black-and-white photographs set in evocative counterpoint to the narrative rather than illustrating it directly.” Using photographs I am shooting of my parent’s cold-war archive, creating a visual archive of their version of the cold war, and combining it with texts of my memories, I will be working on this memoir of misremembering, a project that seems timely with our current political relationship to Moscow. Named a “prominent Los Angeles artist” by The New York Times, Crosher’s work is included in various international, private and museum collections including The Los Angeles County Museum of Art, The Museum of Modern Art, The San Francisco Museum of Modern Art, The Palm Springs Museum, and the Pérez Art Museum Miami. In 2012, she took part in MoMA’s New Photography show, and in 2011 she was a recipient of the prestigious “Art Here and Now Award,” awarded by the LACMA. From 2013-2015, Crosher collaborated with the Los Angeles Nomadic Division (LAND) on The Manifest Destiny Billboard Project, a series she initiated of artist-produced billboards and activations that unfolded all along the Interstate 10 Freeway, for which she received the 2015 Smithsonian Ingenuity of the Year Award. Numerous books have been published on her work, including one released in February 2016 by Hesse Press and a four-volume set by Aperture Ideas in 2011-2012. She is the founder and president of the Los Angeles branch of The Fainting Club and a fellow at the Royal Society of the Arts in London, was Associate/Assistant Editor of the journal Afterall, and has taught at University of California, Los Angeles (UCLA) and Art Center College of Design, Pasadena, CA. Crosher received an MFA from California Institute of Arts (CalArts) in 2001.
Art Seed at Marble House Project