"Located amidst the southern Vermont mountains on a 100 year old marble quarry with its adjoining home and historic architecture, the Marble House Project provides an extraordinary intersection of diverse communities. What drives this unique art residency, farm, educational institution and event space is a brilliant design, that supports activity rather than dictate it, where natural resources and the people who come together to use them are mutually benefited and enriched, where experience is privileged over product, and where humanity and sustainability is valued in service of incalculable growth. Much like the science of permaculture that uses existing strengths in any natural resource to create and even stronger microclimate ( an agriculture practice MHP has adopted on its land), the Marble House Project has taken great care in how each stone is placed, artist is welcomed, and local community is invited in, and as a result has created a cultural microclimate and exponentially widened the possibility for what might ordinarily grow there. What it has become in the past 3 years is even surprising to the gardeners/ founders/ directors who laid the foundations to make such unprecedented individual flowering possible.   This surprise exactly is how we know its working!"  COCO KAROL, 2016

 

 "I was very lucky to be invited to participate in The Quarry At Marble House Project residency this past July 2014. My experience was magical. To have the opportunity to live and work in the beautiful setting of the Green Mountains in Vermont, surrounded by the trees, the stones and the company of other artists was a dream. During my time there, I executed a study for an idea that I had been wanting to put forth for many years: Shou Sugi Ban (Charred Wood). The Buddhist Temple I was raised in, in Japan was clad in Shou Sugi Ban and I had an idea for creating a large-scale installation art piece with the material.  I found some Vermont Maple wood in the local lumber yard and one evening after one of our ‘family dinners’ with the other residents, I charred the wood in the embers of the fire we had used to cook our delicious, farm-harvested meal. It is such a sweet memory to recall the other residents and I laughing while I used Bar-B-Que tongs to carefully char and then quench the wood. Three months later, I had a solo exhibition in New York at Sundaram Tagore Gallery. The exhibition was titled ‘Kisetsu’ (Seasons) and I created a large-scale installtion piece; a room clad in Shou Sugi Ban with a large (462 x 72 inches) contiguous painting on the inside walls. I titled this piece ‘Ku’ (Emptiness The Sky). This installation piece was then selected to be exhibited during the 2015 Venice Biennale."                                                                                    MIYA ANDO, 2014

 

“Creating a family-friendly session at MHP and curating it with other families of similar ages and perfect camp leaders was simply amazing. From the moment we arrived, we knew that this would be an experience for our family like no other. This wasn’t a vacation; this wasn’t work; this was some whole new experience that engaged all of us equally. The kids were immediately embedded with other kids in their age range and with similar interests. I have never spent time like this with my kids where they were so utterly entertained and happy and at peace, and I was doing nothing to make that happen. In fact, the fact that our kids were so utterly entertained allowed an incredible freedom for us to think and be present to explore and learn from all that was surrounding us at Marble House.I must mention that none of this would be possible without the tremendous sense of deep interest, care and support that we all felt. We could all relax because we all knew we were cared for. Every resident stepped up to participate and support the sense of community that was fostered by MHP.”  MICHAEL ZARETSKY, 2015

 

“Marble House Project is an incredibly warm and meditative environment. It really is like a monastic retreat but with creature comforts so that the entire focus can be on your work. The house itself is a treasure trove and the whole estate gives you the feeling of being tied to history and people who worked the land.”  RACHEL MASON, 2015

 

“The gardens, stones, and springtime wildlife at Marble House Project provided both solitude and community for my writing project. Its rich cultural history and wonderfully eclectic libraries lent themselves to my research and poetry on a daily basis, and I am very grateful.”  EMILY VIZZO, 2015

 

“Our work is suffused with material from our residency at the Marble House Project. The environment itself further deepened the sensory focus of our choreographic process. Through daily outdoor improvisations, we developed the textured and rich movement vocabulary of our new work all i have are sensations.”  DAGES JUVELIER KEATES AND ERIN CAIRNS CELLA, 2015